Otto Link Tone Edge Hard Rubber - Baritone Saxophone Mouthpiece
THE Iconic Saxophone Mouthpiece
Coleman Hawkins, Stan Getz, John Coltrane, what did they all have in common? They played on Otto Link Mouthpieces of course! Since the late 40s, Otto Link has been the go-to mouthpiece for that quintessential full-bodied saxophone sound and that remains the case today. The minimal baffle and large chambered design are curated to help you create an open and warm tone, giving you the best platform to develop your sound without the mouthpiece getting in the way. The Ebonite Baritone Tone Edge is synonymous with giving you that velvety smooth tone and has to be your first port of call when looking for your first professional mouthpiece.
Features
• Material: Hard Rubber/Ebonite
• Made In: USA
• Chamber: Large
• Baffle: Low
• Ligature: Basic Two Screw Ligature
• Recommended for: Developing Student, Intermediate and Professional Players
Staff Reviews
A great all-round piece that doesn't break the bank! While this piece doesn't have the cut or projection of more baffled piece, it does allow for a great spectrum of sound possibilities. When played softly you can achieve a smoky tone similar to Gerry Mulligan, and if you're like me and like chucking loads of air down the instrument, you can achieve a really full, rich and fat sound! Oren Gurney ([email protected])
One of the classic designs. Rich toned, flexible- ideal for most forms of jazz and blues playing. A good broad response across the entire horn. An excellent choice for an upgrade from a student 'piece. Jules Lawrence (j[email protected])
THE Iconic Saxophone Mouthpiece
Coleman Hawkins, Stan Getz, John Coltrane, what did they all have in common? They played on Otto Link Mouthpieces of course! Since the late 40s, Otto Link has been the go-to mouthpiece for that quintessential full-bodied saxophone sound and that remains the case today. The minimal baffle and large chambered design are curated to help you create an open and warm tone, giving you the best platform to develop your sound without the mouthpiece getting in the way. The Ebonite Baritone Tone Edge is synonymous with giving you that velvety smooth tone and has to be your first port of call when looking for your first professional mouthpiece.
Features
• Material: Hard Rubber/Ebonite
• Made In: USA
• Chamber: Large
• Baffle: Low
• Ligature: Basic Two Screw Ligature
• Recommended for: Developing Student, Intermediate and Professional Players
Staff Reviews
A great all-round piece that doesn't break the bank! While this piece doesn't have the cut or projection of more baffled piece, it does allow for a great spectrum of sound possibilities. When played softly you can achieve a smoky tone similar to Gerry Mulligan, and if you're like me and like chucking loads of air down the instrument, you can achieve a really full, rich and fat sound! Oren Gurney ([email protected])
One of the classic designs. Rich toned, flexible- ideal for most forms of jazz and blues playing. A good broad response across the entire horn. An excellent choice for an upgrade from a student 'piece. Jules Lawrence (j[email protected])
Original: $270.43
-65%$270.43
$94.65Description
THE Iconic Saxophone Mouthpiece
Coleman Hawkins, Stan Getz, John Coltrane, what did they all have in common? They played on Otto Link Mouthpieces of course! Since the late 40s, Otto Link has been the go-to mouthpiece for that quintessential full-bodied saxophone sound and that remains the case today. The minimal baffle and large chambered design are curated to help you create an open and warm tone, giving you the best platform to develop your sound without the mouthpiece getting in the way. The Ebonite Baritone Tone Edge is synonymous with giving you that velvety smooth tone and has to be your first port of call when looking for your first professional mouthpiece.
Features
• Material: Hard Rubber/Ebonite
• Made In: USA
• Chamber: Large
• Baffle: Low
• Ligature: Basic Two Screw Ligature
• Recommended for: Developing Student, Intermediate and Professional Players
Staff Reviews
A great all-round piece that doesn't break the bank! While this piece doesn't have the cut or projection of more baffled piece, it does allow for a great spectrum of sound possibilities. When played softly you can achieve a smoky tone similar to Gerry Mulligan, and if you're like me and like chucking loads of air down the instrument, you can achieve a really full, rich and fat sound! Oren Gurney ([email protected])
One of the classic designs. Rich toned, flexible- ideal for most forms of jazz and blues playing. A good broad response across the entire horn. An excellent choice for an upgrade from a student 'piece. Jules Lawrence (j[email protected])
